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Archive for May, 2011

4 mnemonics to make your scenes memorable May 27

Mnemonic devices for screenwriting

Mnemonics for Screenwriting

Isn’t it mnemonic?

I was surfing researching stuff on the web the other day, and found an article reminding me about mnemonic devices.

Mnemonic devices are used to help you remember things, like coming up with rhymes for names of people. Or coming up with powerful associated images for grocery items you have to recall.

The books I’ve read talk about using violent, obscene or absurd images to associate with things you’re trying to remember, because they tend to create the most vivid memories.

So I was thinking — if those mnemonic devices allow you to remember things more readily, could they also make your scenes more memorable?

1. Rhyming

We’ve all probably used this rhyming mnemonic, at one time or another, to help us remember how to spell a word:

I before E, except after C…

In screenwriting we have rhyming scenes. Rhyming scenes are those that echo a previous moment, but with a new context, twist or development. Tags, payoffs, callbacks — these are all types of rhyming scenes.

In Rocky, there’s a scene where the out-of-shape boxer can’t make it up a set of steps. But later in the movie, he jubilantly flies up those same steps. It’s one of the most memorable moments in the film because it was set up with a rhyming scene.

Rocky Steps

Rhyming scenes often utilize dialogue. A classic example is when a hero throws his enemy’s own line back at him in the climax. I’ll never forget Malcolm McDowell’s irritating line from Blue Thunder: “Catch ya later.” It was sweet justice when Roy Scheider’s character says it back to him after blowing him out of the sky.

Sequels often use the same lines to reinforce a connection between films, and then become catchphrases that are synonymous with the series. For example, anyone recognize this line?

I have a bad feeling about this?

2. Violence

Suppose you need to remember that you have to pick up pickles and toilet paper from the store? Picture someone being tortured by shoving pickles in their nostrils and mouth, and then being smothered with toilet paper. Violent images are extremely memorable.

Is there even a single movie out there that doesn’t have violence, or threatened violence, it it?

Quick, when you think of Reservoir Dogs, what scene pops into your head? I bet there’s a razor blade and part of an ear in it.

Raging Bull? I bet Robert De Niro is kicking someone’s ass or getting his ass kicked.

Reservoir Dogs

Even movies that aren’t usually associated with violence have memorably violent scenes.

Toy Story 3? That scene towards the end, with the characters at the incinerator? Yeah.

Never underestimate the power of violence, or the threat of violence, to make a scene more memorable.

3. Obscenity

The term “obscene” can mean many different things to different people. Here’s how Merriam-Webster defines it:

1: disgusting to the senses : repulsive
2 a : abhorrent to morality or virtue; specifically : designed to incite to lust or depravity
b : containing or being language regarded as taboo in polite usage <obscene lyrics>
c : repulsive by reason of crass disregard of moral or ethical principles <an obscene misuse of power>
d : so excessive as to be offensive <obscene wealth><obscene waste>

That’s great. Gives us a lot of variety to play around with for mnemonic devices, and for memorable scenes.

From Sharon Stone crossing and uncrossing her legs in Basic Instinct, to Steve Martin dropping the F-bomb a dozen times to the car rental lady in Planes, Trains & Automobiles, there are many different ways to make scenes “obscene” and highly memorable within the context of your movie.

4. Absurdity

Ah, my favorite one. If we go back to the toilet paper and pickles grocery list example, you could just as easily have pictured something absurd like roasting toilet paper rolls on a stick (like marshmallows), then storing them in a gigantic pickle jar.

Scenes with absurd elements can be extremely memorable too. Look at Being John Malcovich. The premise, and nearly every scene is absurd. But it’s also brilliant.

Sometimes an absurd moment placed inside an otherwise even-keeled movie, can make the scene pop. In The King’s Speech, the Geoffrey Rush character had some extremely absurd and unorthodox training methods. They all made for some of the most memorable and entertaining moments in the movie.

The King's Speech

In another Oscar contender from the same year — Black Swan — we get to witness Natalie Portman’s character transform into a winged ballet dancer. It’s absurd and utterly unforgettable.

Conclusion

If you’re looking to create scenes that live in the minds of viewers long after the curtain closes, perhaps borrowing a mnemonic tool from the memory experts is the answer you’re looking for.

What movie scenes are the most memorable for you? Did they utilize any of these techniques?


Want me to read your screenplay? Please take a look at my script services.

Category: Scenes, Writing  | 2 Comments
Do you double or triple-space scene headings? May 05

Rabbit Hole - First PageTriple or Double-Spacing?

I recently found myself in a bit of a quandary. After countless hours cutting and tweaking, my finished script weighed in at 111 pages. I had really wanted to come in under 110 pages (as spec script lengths are trending shorter and shorter these days).

As a big fan of whitespace, I always triple-space my master scene headings (i.e. I leave two blank spaces above them). But what if I simply double-spaced them (i.e. leave just one blank space above)? How many pages could I save?

The answer: 2

After switching from triple-spacing to double-spacing I was at 109 pages. Woohoo! But not so fast. The new spacing made me feel a little claustrophobic. Was it simply because I was so used to triple-spacing?

What do most scripts use?

I decided to spend a couple hours going through 171 spec scripts, and pre-shooting drafts, in my collection to get a sense of what was considered “standard.” It’s by no means exhaustive, but I’d say the sample is large enough to provide a fairly accurate assessment.

Here are the results:

Triple Spaced: 86 (50%)

Double Spaced: 72 (42%)

Other (used transitions between scenes): 13 (8%)

Somewhat surprising results! Nearly half of the scripts I went through were double-spaced.

Perhaps even more surprising is that nearly 10% of the scripts used CUT TO: (or other transitions) to separate each scene.

All of these scripts were what I would consider “professional.” That is, they were either written by pros, or were on the Black List, etc. No production or shooting scripts were reviewed.

Some Notes

  • I definitely noticed a trend towards triple-spacing in recent years
  • It got to the point where I could fairly accurately predict whether or not a script was double or triple-spaced, based on the page count. For example, if the script was over 115 pages, odds are it used double-spacing (to cut down on the number of pages).
  • Many scripts that felt light and breezy while I was reading them, actually used double-spacing. So it seems the spacing between the shot headings didn’t matter to me (or make an impression) as much as the overall whitespace.
  • More bold and underlined scene headings popped up in recent years. Of the scripts reviewed, 11 used bold for headings, and 5 used underlines.
  • The most attractive script to look at was RABBIT HOLE (see above image). It used underlines for scene headings and bold for character introductions. I think we’ll start to see more scripts utilize this approach in the future. It looks great, and made the script easier to read and process. (The spacing between shot headings was inconsistent, however.)

In the end, I decided to leave the triple-spacing in my script and hold fast at 111 pages. But it was nice to see that double-spacing was a very viable option (especially if you’ve been diligent about limiting the number of action lines per paragraph to provide ample whitespace).

Is this kinda stuff interesting to you guys?

What’s your take? Slightly longer, yet more whitespace? Or are certain page counts psychologically more important? Let me know!


Want me to read your screenplay? Please take a look at my script services.

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Category: Formatting, Writing  | 4 Comments