Fee Protection Agreement
Subscribe to feed via email:
Subscribe RSS

Archive for the Category "Michele Wallerstein"

How To Be An Agent’s Dream Client Aug 28

Reminder: Michele Wallerstein will be holding a book signing and free talk today from 3:00 p.m. to 4:30 p.m. in Sherman Oaks. Click here for details.


How To Be An Agent’s Dream Client

by Michele Wallerstein

An agent works very hard to guide a writer’s career. We help them with their material, we set up important meetings for them, and we see that their material is read by the right people, we negotiate their deals, we share information with them and we even listen to their personal problems. Is that enough? OK, we also show an interest in their spouses and children, we try not to hurt their feelings when their work is rejected; we are loyal and often very caring. We keep our eye
on the ball and an ear to the ground. We know what’s going on in the business and who’s buying what. Is that enough?

But… then we must let the writers go out into the world by themselves and we pray that they do not do themselves harm. This is the most daunting of our tasks.

Here are ten (10) things that clients mustn’t do:

  1. Getting stuck on one idea. I’ve had clients that have written the same basic story in novel, screenplay and theatrical play form. This is an incredibly huge waste of time.
  2. Thinking everyone is wrong, except you. When your project has been turned down by more than five (5) companies, chances are it won’t sell. This can happen with a pitch or a completed novel or screenplay. Right or wrong, they aren’t buying and there’s nothing you or your agent can do about it.
  3. Ruining a meeting. Are you talking too much or not enough? Are you listening to the principal person in the meeting? Did you arrive late? Did you dress inappropriately? Did you argue too much? Did you stay too long?
  4. Missing your big chance. I’ve represented many writers who really wanted to direct. In one specific case the writer became a producer on various TV series over the years. I kept telling him to direct some episodes, but he said that he was too busy. He never became a director.
  5. Calling your agent too often or not often enough. If you don’t seem interested in your career, why should your agent. If you are calling every day without new material or ideas, you are nagging. Big no-no.
  6. Not showing appreciation to your agent, manager, and lawyer. Yes we all get paid, but sometimes that isn’t enough. Everyone wants to feel approval. We all want someone to simply thank us for a job well done. Take them to lunch; buy them a simple birthday or Christmas gift. Say “thanks.”
  7. Changing agents. Most of the time when clients change agents it’s because they aren’t getting work or selling their material. Is that really your agent’s fault or are you not doing your job very well? Have you brought in new ideas and scripts? Are you keeping up relationships with people you’ve met via your agent? Are you
    doing everything you can to further your own career? Remember, you get to keep 90% of the money.
  8. Moving from a small agency to a very big one. Bad idea. If a small agency has worked hard to build your career, you can bet a larger one will come along and make tremendous promises to lure you over to their client list. Invariably, you will be ignored, forgotten, mistreated and overlooked.
  9. Demanding too much. This can mean time from your agent, producer, development person, manager or lawyer. It can mean money for your project that may not warrant as big a deal as you want. Once you earn it… you’ll get it all.
  10. Drugs and alcohol. They will ruin your career.

Getting into the world of screenwriters and published authors is difficult enough. Making the mistakes listed above is a sure-fire way of losing any toe-hold that you may gain, at any time. All too often I’ve seen successful writers fall off the “hot writer” list in Hollywood because of any of the above errors. Don’t let it happen to you.


Michele Wallerstein is a Screenplay & Novel & Career Consultant and author of “MIND YOUR BUSINESS: A Hollywood Literary Agent’s Guide To Your Writing Career“.

Email: novelconsult@yahoo.com
Web site: www.novelconsultant.com

Copyright 2009 Michele Wallerstein. Not be used without written permission from Author.

Michele Wallerstein Book Signing: August 28th Aug 21

Mind Your BusinessMichele Wallerstein will be holding another book signing next Saturday. She’ll also be giving a free talk called: “How To Jump Start Your Writing Career”

As you may recall, I reviewed her new book, Mind Your Business: A Hollywood Literary Agent’s Guide To Your Writing Career, a few weeks back.

If you’re in the L.A. area, and want to pick up a great book and some terrific advice, please stop by!

Where
Borders Books
14651 Ventura Boulevard, Sherman Oaks

When
Saturday, August 28, 2010, 3:00pm – 4:30pm

Michele Wallerstein Book Signing Aug 02

Mind Your BusinessMichele Wallerstein — former Hollywood agent, popular speaker/consultant, Scriptwrecked contributor and now author (!!!) — will be holding a book signing and Q & A this Saturday.

As you may recall, I reviewed her new book, Mind Your Business: A Hollywood Literary Agent’s Guide To Your Writing Career, a few weeks back.

If you’re in the L.A. area, have enjoyed her posts, and want to pick up a great book or ask her some questions, please stop by!

Where
BOOK STAR, on Ventura Blvd., in Studio City
(one block west of Laurel Canyon — Michele’s name will be on the marquee!)

When
Saturday, August 7th, at 3:00 p.m.

Screenwriting Contests Jul 09

Screenwriting Contests

by Michele Wallerstein

Okay, you finished the world’s greatest screenplay.  You’ve sweated out the hours and hours of work.  You’ve managed to get through the days of self-doubt.  You might even have managed to stay married through it all.  Here it is, that great masterpiece, staring you in the face.  You say to yourself: “What do I do now?”

The answers come to you in droves.  There are agents, managers, producers, studio executives, lawyers and consultants that might see your genius and want to buy your script, sign you to contract and/or at least refer you to a powerful friend.  If only you knew who they were and how to get to them.  There’s the rub.  Then, there’s that little voice either in your head or whispered by a friend or screaming at you from the myriad of internet blogs and sites.  It says:  “ENTER THE SCRIPT IN A CONTEST!”  Well that sounds like a very good idea.  It is a good idea if you know exactly what to do if you win, place or even show in that contest.

Winning a script competition is a great feeling and it often comes with a few dollars as a prize.  It might even show some of your friends and relatives that you actually do have some talent.  All of this is fine, but what does it do insofar as your professional career is concerned?

Unless you take the next steps, entering and even winning contests doesn’t do a thing for you.  The steps begin with your showing up at the film festival, event, seminar, etc., that has sponsored your contest.  You must be there to receive your award or prize and to be seen by the people in attendance.  Next, you must connect with everyone who is a professional in Hollywood who attends that event.  Do your networking in a powerful and positive way with these people.  You are someone that they need to know because you’ve won or placed in the contest and because you have a terrific and marketable screenplay that they should read.

Make sure that you have the basic information on all of those professional Hollywood people.  Get their names, addresses, emails, phone numbers and their exact titles as well as the names of the companies for whom they work.  After that you must make sure they have your business card or at least a piece of paper with your name, address, email and a reminder note that you are a writer that they met at the “such & such” event.

Now you are home and the real work begins.  Follow up with those people and remind them that you met and that you were in the contest.  Ask if you can send the screenplay or any other original screenplay that you have.

The next step to using a contest positively in your life is to write query letters to other agents, managers and producers or development executives wherein you mention one or two of the contests that you’ve won or placed in.  Never mention more than a couple of contests.  These people want information delivered to them quickly and precisely. They are not interested in a list of you accomplishments.

If you continue to enter many, many contests without following the above, you will be wasting a tremendous amount of your valuable time and energy.  Use that time and that energy to write another screenplay, or rewrite the ones you have.

A contest is merely an end to a means for getting your foot in that Hollywood door.  Use it wisely.


Michele Wallerstein is a Screenplay & Novel & Career Consultant and author of “MIND YOUR BUSINESS: A Hollywood Literary Agent’s Guide To Your Writing Career“.

Email: novelconsult@yahoo.com
Web site: www.novelconsultant.com

Copyright 2009 Michele Wallerstein. Not be used without written permission from Author.

Q & A with Michele Wallerstein Jun 11

Do you have a question that you’d like to have answered by a longtime Hollywood literary agent? Send it in!

questions@scriptwrecked.com


Question:

One day I hope to study film and become a screenwriter/director. I don’t know much about the film industry quite yet, so that’s why I plan on getting into a good film program in college. I have only one concern: How do filmmakers such as producers, screenwriters, and directors make money from their films? How do independent filmmakers make money?

Answer:

The basic answer to this question is that Screenwriters, Directors and Producers have agents who negotiate their deals with the movie Studio and/or production companies who finance the film.  Writers, Directors and Producers often receive money during the development phase of the project and usually receive a large bonus if the movie gets produced.

The amounts of these payments are tied in to the budget of the film.  The bigger the budget, the bigger the pay day.  There are many more deal points that can be negotiated by the agents.

For example the artist may receive a percentage of the profits, they may be paid if the movie becomes a TV series and if there are games and toys produced based on the film, etc.

Independent filmmakers usually only make money if they are lucky enough to secure distribution by a major distribution company and/or sell their picture to a studio.


Michele Wallerstein is a Screenplay & Novel & Career Consultant and author of “MIND YOUR BUSINESS: A Hollywood Literary Agent’s Guide To Your Writing Career“.

Web site: www.novelconsultant.com