I’ve been posting to Scriptwrecked for over five years now. If you’ve ever learned something important or picked up a great nugget of advice from my blog, contributing to this campaign would be an amazing way to say thanks. I know most screenwriters (like myself) aren’t made of money, so even if you can’t afford to contribute, simply sharing the campaign link with your friends will help tremendously.
The ultimate goal is to turn some heads in Hollywood and turn TRIPLE TIMe into a single-location feature film. That it all begins with a kick-ass short film. I’d love for you to be a part of the journey with me. Please click the campaign link below to find out more about TRIPLE TIMe and all the cool perks we’ve set up for contributors.
292 Days. That’s how long it’s been since my last post. Yikes. So where the hell have I been and what have I been doing?
As much as I love this blog, it occurred to me a while back, that I didn’t want to be a successful blogger. I wanted to be a successful screenwriter/filmmaker. So it was time to adjust my priorities.
Let’s see how things have panned out so far. In the last 292 days I’ve:
Had one script place in the semi-finals of Blue Cat
Had another script optioned
Had my latest script place in the top 25 (semi-finals) of the Tracking-Board.com’s Launch Pad competition (fingers crossed for the finals)
Learned how to use Adobe After Effects
Wrote a martial arts action movie that’s in pre-production in Thailand (paid assignment)
Wrote a short film, that I’m directing in a few weeks
In a nutshell, things have been gaining momentum.
My Demon Girlfriend
I’m really excited about the last item I mentioned. The short I’m directing is called My Demon Girlfriend, and it’s a funny little script that may be the start of a web series, and will allow me to showcase my new special effects skills.
I’ll post updates as things progress on the production. I will also be writing other articles about screenwriting, movies and television, that I feel need to be discussed — I’ll just be posting them less frequently.
Bottom line is — I’m back! So stay tuned.
Did you miss me? Or were you happy to have less noise to distract you from your screenwriting career?
So many shorts to adapt, so little time. Late last year Sam Raimi paid top dollar for Fede Alvarez’s internet sensation Panic Attack, starting a trend that has continued with Carl Erik Rinsch’s The Giftkicking off a bidding war between major studios. Today, another web short has been optioned by a top-tier entertainer, and given the star power and strength of his studio connections, we may actually see this get made.
THR’s Heat Vision Blog reports that Adam Sandler, through his Sony-based Happy Madison production company, will develop a big-screen take of French filmmaker Patrick Jean’s Pixels. The much-buzzed-about short featuring 1980s video game characters (including Space Invaders, Frogger and Pac-Man) attacking New York City got a thumbs-up from filmmaker Edgar Wright and became a viral hit in April, leading Jean to a contract with William Morris Endeavor.
There’s an amazing extended scene in the movie Birth (2004), where the camera just holds on Nicole Kidman as she watches an Opera — her head swirling with emotion and confusion. It’s simple, but mesmerizing.
The short film Evidence (1995), by Godfrey Reggio, the writer-director of Koyaanisqatsi (2004), reminds me of that scene. He’s taken a group of cute, confused and Omen-esque kids, and simply aimed a camera at them while they watch T.V.
Evidence looks into the eyes of children watching television – in this case Walt Disney’s “Dumbo”. Though engaged in a daily routine, they appear drugged, retarded, like the patients of a mental hospital. Evidence is about the behavior of children watching television – an activity whose physiological aspects have been overlooked in the current controversy surrounding television.
Throw in a haunting score by Philip Glass, and you have a chilling indictment of the power of television (or possibly Dumbo).