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Q & A with Michele Wallerstein

Q & A with Michele Wallerstein

by Michele Wallerstein | Apr 16, 2010 | Industry Advice, Michele Wallerstein | 2 comments

Do you have a question that you’d like to have answered by a longtime Hollywood literary agent? Send it in! questions@scriptwrecked.com Question: (Gerald Martin) Who pays the 10% agent fee? In reading Clause by Clause by Breimer (1995) I believe there was a...
Q & A with Michele Wallerstein

The Ins and Outs of Packaging

by Michele Wallerstein | Apr 9, 2010 | Industry Advice, Michele Wallerstein | 0 comments

The Ins And Outs of Packaging by Michele Wallerstein In the hopes of selling a screenplay many writers turn to packaging to enhance their project. They are told that bringing in an actor or director will make producers want to buy their material. What few people...
Q & A with Michele Wallerstein

Q & A with Michele Wallerstein

by Michele Wallerstein | Mar 19, 2010 | Industry Advice, Michele Wallerstein | 3 comments

Do you have a question that you’d like to have answered by a longtime Hollywood literary agent? Send it in! questions@scriptwrecked.com Question: (Anonymous) I had a recent experience with submitting my sitcom project for agent representation. I had submitted an...
Q & A with Michele Wallerstein

Q & A with Michele Wallerstein

by Michele Wallerstein | Mar 12, 2010 | Industry Advice, Michele Wallerstein | 0 comments

Do you have a question that you’d like to have answered by a longtime Hollywood literary agent? Send it in! questions@scriptwrecked.com Question: (Anonymous) How is being a consultant different than being an agent? Are they basically the same except for the...
Q & A with Michele Wallerstein

How To Improve Your Spec Screenplays

by Michele Wallerstein | Mar 8, 2010 | Industry Advice, Michele Wallerstein | 0 comments

How To Improve Your Spec Screenplays by Michele Wallerstein I’ve read and worked on spec screenplays for about a million years. During these years I’ve discovered that almost all new writers (and some old ones) seem to make the same mistakes in their work.  There are...
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