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Archive for the Category "Movie Reviews"

Have you ever changed your mind about a movie? Aug 03

Second Looks

Have you every been wrong about a movie? You know, you’re flipping channels and happen across a movie you saw a few years ago that you thought sucked, only to be suddenly drawn in by it.

For me, that movie was Starship Troopers – Edward Neumeier‘s adaptation of Robert A. Heinlein’s military sci-fi classic book, directed by Paul Verhoeven.

When I first saw it, I thought it was campy and ridiculous. When I later saw it, I suddenly realized it was a brilliant satire and social commentary. How did I miss that the first time through?

Has that ever happened to you? What movie was it?

‘Fright Night’ is for real Feb 28

Fright Night (2011)A couple of years ago, I wrote an open letter to the TV and movie vampires of the world. That’s definitely worth a quick read, but if you’re pressed for time, it can be summarized by a simple question:

If blood is so tasty, then why do you leave so much of it on your damn face?

Well it seems that the vampire in the remake of Fright Night (played by Colin Farrell) read my post, because there are several scenes where he stops to lick the extra blood off his face and chin.

Finally — a vampire movie that pays attention to the details! Credit must be given to Marti Noxon (of Buffy fame) who wrote the smart screenplay, as well as director Craig Gillespie (of Lars and the Real Girl fame).

There are a number of really nice touches and surprises in this movie that make it a cut above most remakes out there. If you like your vampires more dark and broody, less sparkle and moody — then you’ll enjoy this film (which is now on DVD/Blu-Ray).

Anyone else pleasantly surprised by this movie?


Tinker, Tailor, Soldier, SzzzzZZZZ…. Jan 27

Tinker, Tailor, Soldier, SpyTinker, Tailor, Soldier, Spy – NOT a Thriller

Anyone else a feel little disappointed by this movie?

I’ve decided that you can’t call your movie a Thriller if A) no one runs in it, and B) the protagonist is never shown to be in any real danger.

An intense Espionage Drama? Sure. But a Thriller? That’s a bit of a stretch in my opinion. Damn you false advertising!

And what was the big fuss over Gary Oldman’s performance? Solid acting to be sure — but some of the reviews were making it sound like it was the role of his life.

Or maybe it was — what do you think? Was his performance understated, nuanced and bravura? Or was it just stoic, boring and unchallenging?

Did the trailer or the commercials have you feeling a little deceived when you finally saw the movie? Or was it just me? Let me know!


Important tip for your action movie’s climax Jul 24
Captain America Poster

"I'm coming to save you, faceless multitude!"

Note: There’s a very minor Captain America SPOILER directly below, but it’s worth braving because this tip is a really good one.

Ready?

Let’s get the minor Captain America spoiler out of the way first. In the climax of the the movie, Captain America saves the world. Duh.

Okay now let’s get on to the tip. And this one’s a doozy. I’m tempted to call it “Save the Cat… Again!”

In an action movie’s third act, make sure your hero is saving someone specific.

Captain America was actually quite an enjoyable movie. The first half, especially, was very strong, and even emotionally moving at times. But the last act left me wanting for some reason. Sure, ol’ Cap was doing his action hero thing, and the stakes were high (the aforementioned saving of the world), but there was something missing.

And that’s when it hit me. There was no one specific to save.

“The death of one man is a tragedy. The death of millions is a statistic.”
- Joseph Stalin

It sounds paradoxical, but if your hero is fighting to save a faceless multitude (even if it’s millions of people), it’s less compelling than if he’s fighting to save even one character you know.

The best action movies

Think of all your favorite action movies. There’s always someone specific that needs to be rescued. It’s either the hero him/herself, or at least one character you know, or both.

If it’s only the hero him/herself that needs saving, then that means the hero needs to escape from a situation that they didn’t willfully put themselves into in the third act.

  • The Matrix - Neo had to save Morpheus and the crew of the Nebuchadnezzar (as well as defeat Agent Smith)
  • Raiders of the Lost Ark - Indy had to save Marion (as well as defeat the Nazis)
  • Die Hard – McClane had to save his wife (as well as defeat Hans Gruber)
  • Aliens – Ripley had to save Newt (and defeat the alien queen)
  • Alien – Ripley had to save herself and her cat (and defeat the alien)

Think how much weaker those movies would have been if they were only about defeating the bad guy(s). Keep that in mind when you’re writing the ending of your next action movie.

Can you think of any brilliant action movies that break my rule?


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5 Obvious Things TRON: LEGACY Got Wrong Jan 05

First things first… If you haven’t seen TRON: LEGACY,  and you like that whole surprisey thing, there are MASSIVE SPOILERS BELOW.

The long awaited sequel to the highly regarded Disney film got a lot of things right (e.g. Olivia Wilde + skin tight outfit = excellent) but there are some key things it also got wrong.

I’m not even talking about the subjective things, like why Cillian Murphy‘s character was only in the movie for 3 seconds. I’m talking about obvious things. Things that leave you a little sad, and a lot mystified, as to how they could possibly have ended up in a completed film with a production budget of 170 million dollars.

From least important to most important…

5. Fakes on a Crane

Like many movies that start off with glimmering potential, there’s a pivotal scene where you realize, “Ah crap, this isn’t going to be the ride I hoped it would be.”

That moment for me in TRON: LEGACY was when that damn security guard decided to step out on the crane. Did anyone believe that a $10/hour security guard would risk his life by walking out on a crane-arm, hundreds of feet in the air, just to apprehend a trespasser? Come on.

4. Would the real Tron Shady please stand up?

So the Tron character is disguised in a black outfit, with a dark motorcycle helmet for most of the movie. That’s cool. What’s not so cool is that so are a lot of the other bad guys.

Sure, Tron uses a double disc or whatever, but if we’re in a midst of an action-packed melee, or if Tron hasn’t yet whipped out his discs, it’s extremely difficult to tell Tron apart from the other guys in tight black outfits… with dark motorcycle helmets.

Tron?

Three or four times in the movie I thought, “They just killed Tron! I can’t believ– No… there he is again.” Couldn’t Tron have been given a simple stylized digital face? Or something  that would allow us to tell him apart much more readily?

3. A not-so-total eclipse of the heart

Tron… He’s a badass villain for 99% of the movie and then in the final action sequence he… what? Has a change of heart?

There was no build-up. No explanation of a restraining bolt, or reprogramming, or even that Tron was fighting against his constraints or true nature. Nope.

All we got at the end of the movie was a cheesy line about how he fights for users. If the filmmakers had taken the time for one simple beat showing Tron’s inner struggle during the movie, this moment would have been somewhat rewarding… or at least comprehensible. [Filmmakers' homework assignment: This scene from RETURN OF THE JEDI]

2. Holdin’ out for a hero

We can all agree that Sam Flynn (son of Kevin Flynn) was the protagonist right? In successful action movies, where the heroes triumph, it’s the protagonist that should ultimately save the day.

No so in TRON: LEGACY. Sam Flynn was reduced to the R2-D2 role of mission support.

He was a tail gunner… He sprouted some wings inexplicably at one moment… but in the final sequence he didn’t do a whole hell of a lot.

I like that Kevin Flynn sacrificed himself to save his son/the world — but not to end an epic movie. To use another STAR WARS instructional — What if they had just rolled credits after Obi-Wan Kenobi died, and the crew simply escaped to freedom? It wouldn’t have been nearly as satisfying, right?

1. Young Jeff Bridges (AKA: The Digital Boom Mic)

Before there were digital touch-ups in post production, many movies were lessened by the accidental appearance of a boom microphone. You would see it, and it would completely take you out of the moment.

Well the horrible — I repeat, horrible – CGI used for young Jeff Bridges was the equivalent of seeing a boom mic every five minutes! It made it nearly impossible to suspend disbelief.

Haven’t a Clu

They must have known it was bad too. There were digital filters and darkened screens used to obscure the effect throughout the movie. But I can only ask why? Why was the effect so jaw-droppingly bad? Especially when the rest of the film was so visually stunning.

In THE CURIOUS CASE OF BENJAMIN BUTTON, the effect for Brad Pitt was flawless. In WATCHMEN, Billy Crudup was seamlessly integrated with buff blue… parts. Hell, even with the limited budget of cable television it’s amazing what they’re able to do.

Put it all together, and it amounts to another big budget movie that squandered its potential — on things that should have been obvious to correct.

What did you think of TRON: LEGACY? Were there other obvious problems that you would have listed?


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